Romantika nen\u00ed o kv\u011btin\u00e1ch, sv\u00ed\u010dk\u00e1ch a polibc\u00edch v de\u0161ti. Je o n\u011bkom, kdo z\u016fst\u00e1v\u00e1, kdy\u017e nem\u016f\u017eete mluvit. N\u011bkom, kdo neodejde, kdy\u017e jste na\u0161tvan\u00ed. N\u011bkom, kdo se na v\u00e1s d\u00edv\u00e1, kdy\u017e sp\u00edte, a nemysl\u00ed si, \u017ee jste \u201ejin\u00ed\u201c. Zahrani\u010dn\u00ed kinematografie to ch\u00e1pe l\u00e9pe ne\u017e jak\u00e9koli hollywoodsk\u00e9 kli\u0161\u00e9. Tyto filmy nejsou o \u201el\u00e1sce na prvn\u00ed pohled\u201c. Jsou o l\u00e1sce, kter\u00e1 vydr\u017e\u00ed.<\/p>\n
Prvn\u00edm je \u201eSedm let v Tibetu\u201c (1997). Nen\u00ed to romantick\u00fd film v tradi\u010dn\u00edm slova smyslu. Je to p\u0159\u00edb\u011bh mu\u017ee, kter\u00fd p\u0159ich\u00e1z\u00ed do ciz\u00ed kultury a nach\u00e1z\u00ed v n\u00ed nejen smysl, ale i l\u00e1sku k \u017eivotu. A l\u00e1sku k \u017een\u011b, kter\u00e1 od n\u011bj nic nevy\u017eaduje krom\u011b sv\u00e9 p\u0159\u00edtomnosti. Film je pomal\u00fd, t\u00e9m\u011b\u0159 bez dialog\u016f. Jeho s\u00edla v\u0161ak spo\u010d\u00edv\u00e1 v pochopen\u00ed, \u017ee prav\u00e1 l\u00e1ska nejsou slova. Je to ticho, kter\u00e9ho se neboj\u00edte.<\/p>\n
Druh\u00fdm je \u201eIf You Don’t Come Here\u201c (2018). Film o dvou lidech, kte\u0159\u00ed jsou zamilovan\u00ed, ale \u017eij\u00ed v r\u016fzn\u00fdch zem\u00edch. P\u00ed\u0161ou si dopisy \u2013 a nikdy se nepotkaj\u00ed. Jejich l\u00e1ska nespo\u010d\u00edv\u00e1 v l\u00edb\u00e1n\u00ed. Je v \u010dek\u00e1n\u00ed. V tom, \u017ee se nevzd\u00e1vaj\u00ed. Ve v\u00ed\u0159e \u2013 i kdy\u017e pro to neexistuj\u00ed \u017e\u00e1dn\u00e9 d\u016fkazy. Toto nen\u00ed melodrama. Je to meditace o v\u00ed\u0159e \u2013 v l\u00e1sku, v lidi, v sebe sama.<\/p>\n
T\u0159et\u00edm je \u201eWhen You’re Ready\u201c (2019). Britsk\u00fd film o p\u00e1ru, kter\u00fd se roze\u0161el po 10 letech man\u017eelstv\u00ed. Nen\u00e1vid\u00ed se. Prost\u011b… p\u0159estali mluvit. Film ukazuje, jak se vracej\u00ed \u2013 ne aby se znovu se\u0161li, ale aby pochopili, co ztratili. Ka\u017ed\u00e1 sc\u00e9na je jako vzpom\u00ednka, na kterou jste si necht\u011bli vzpom\u00ednat. Ale pamatujete si ji \u2013 proto\u017ee je d\u016fle\u017eit\u00e1. Toto je film pro ty, kte\u0159\u00ed v\u011bd\u00ed: l\u00e1ska nen\u00ed v\u017edycky o \u201enav\u017edycky\u201c. N\u011bkdy je o \u201est\u00e1le\u201c.<\/p>\n
<\/p>\n
\u010ctvrt\u00fdm je \u201eNight in Oslo\u201c (2020). Dva lid\u00e9 se setkaj\u00ed na poh\u0159bu. Neznaj\u00ed se. Ale za\u010dnou si pov\u00eddat. A pov\u00eddaj\u00ed si celou noc. Film je dialog, kter\u00fd nikdy nekon\u010d\u00ed. Mluv\u00ed o smrti, o d\u011btstv\u00ed, o strachu, o tom, jak se boj\u00ed b\u00fdt sami. A nakonec se nepol\u00edb\u00ed. Jen se na sebe pod\u00edvaj\u00ed. A to je ten nejromanti\u010dt\u011bj\u0161\u00ed okam\u017eik.<\/p>\n
P\u00e1t\u00fdm je \u201eYou Are Mine\u201c (2016). Film o \u017een\u011b, kter\u00e1 potk\u00e1 mu\u017ee, kter\u00fd se nesna\u017e\u00ed j\u00ed vyhov\u011bt. Ned\u011bl\u00e1 j\u00ed komplimenty. Nevol\u00e1 v\u010das. Nev\u00ed, jak mluvit o sv\u00fdch citech. Ale naslouch\u00e1. Pamatuje si. Z\u016fst\u00e1v\u00e1. Je to o l\u00e1sce, kter\u00e1 nevy\u017eaduje drama. O l\u00e1sce, kter\u00e1 p\u0159e\u017e\u00edv\u00e1 v v\u0161ednosti.<\/p>\n
Tyto filmy v\u00e1s nenut\u00ed sn\u00edt o \u201edokonalosti\u201c. Nech\u00e1vaj\u00ed v\u00e1s vid\u011bt va\u0161i l\u00e1sku \u2013 tu pravou. Ne tu v reklam\u00e1ch. A tu v tichu. V unaven\u00e9m pohledu. V tich\u00e9m objet\u00ed. V tom, kdo sed\u00ed vedle v\u00e1s, i kdy\u017e se v\u00e1m nechce mluvit. Tohle nen\u00ed film o l\u00e1sce. Tohle je film o tom, jak p\u0159etrv\u00e1v\u00e1me.<\/p>\n","protected":false},"excerpt":{"rendered":"
Romantika nen\u00ed o kv\u011btin\u00e1ch, sv\u00ed\u010dk\u00e1ch a polibc\u00edch v de\u0161ti. Je o n\u011bkom, kdo z\u016fst\u00e1v\u00e1, kdy\u017e nem\u016f\u017eete mluvit. N\u011bkom, kdo neodejde, kdy\u017e jste na\u0161tvan\u00ed. N\u011bkom, kdo se na v\u00e1s d\u00edv\u00e1, kdy\u017e…<\/p>\n","protected":false},"author":2,"featured_media":100,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[],"class_list":["post-99","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film"],"_links":{"self":[{"href":"https:\/\/aeschcepha.com\/index.php?rest_route=\/wp\/v2\/posts\/99","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aeschcepha.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aeschcepha.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aeschcepha.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/aeschcepha.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=99"}],"version-history":[{"count":1,"href":"https:\/\/aeschcepha.com\/index.php?rest_route=\/wp\/v2\/posts\/99\/revisions"}],"predecessor-version":[{"id":101,"href":"https:\/\/aeschcepha.com\/index.php?rest_route=\/wp\/v2\/posts\/99\/revisions\/101"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aeschcepha.com\/index.php?rest_route=\/wp\/v2\/media\/100"}],"wp:attachment":[{"href":"https:\/\/aeschcepha.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=99"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aeschcepha.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=99"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aeschcepha.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=99"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}